Western Actor Steve Forrest Dies

A prolific actor, who began his career with much going for him, but who sadly made a few bad acting choices, died on May 18^th last, at the age of 87 years.

He is probably most noted for his role in1950s westerns, and that was a time when mostly ‘B’ westerns ruled cinemas.  In the 1960s, he mostly guested on tv series, but he did relocate with his wife and family to Britain to appear as the lead on a British crime series, ‘The Baron’, which lasted one season. 

He also played Elvis Presley’s half brother in a western, ‘Flaming Star’, and also appeared with John Wayne in ‘The Longest Day’.

In 1969, he guested on the western series, ‘Gunsmoke’, playing the bad guy, Will Mannon.  The character was one of the nastiest on the series, because he assaulted the female lead, Miss Kitty, played by Amanda Blake.  Steve returned to the role of Mannon eighteen years later, when a reunion movie, ‘Gunsmoke: Return to Dodge’ was filmed.  The movie became a huge ratings winner on American tv.  In the 70s, Steve starred in the lead role on an action series, ‘SWAT’, which despite its popularity, was cancelled after one season.

A handsome actor, who unfortunately didn’t achieve the success of his better known actor brother, Dana Andrews, he nevertheless was rarely out of work for almost fifty years.

He won the Golden Globe in 1954 for most promising newcomer, for the movie, ‘So Big’, and a Razzie worst actor award in 1981 for playing opposite Faye Dunaway in the Joan Crawford biopic, ‘Mommie Dearest’.  However that movie cleaned up at the Razzies that year.

Also in the 80s, he played an aging male sex symbol in the tv adaptation of Jackie Collins ‘Hollywood Wives’, a series which was panned by the critics.  However his most bizarre role was as a character originally called Ben Stivers on the tv series ‘Dallas’.  At the time ‘Dallas’ was massively popular across the world, and Steve was to have played a character, who may or may not be patriarch Jock Ewing, returned from the dead.  He did three episodes of ‘Dallas’ in 1986, and after the series returned from its summer hiatus, the previous season was revealed to a dream or figment of imagination of another character and all that season’s plots were scrapped.  However the producers decided to keep Steve on board and reignite the Jock Ewing plot.  However they had to rename Steve’s character to become ‘Wes Parmalee’.  He continued playing Wes for another twelve episodes, but viewers were confused and the plot proved to be unpopular.

A movie version of ‘SWAT’ was filmed with Colin Farrell and Samuel L. Jackson in 2003, and for homage to the old series, Steve was asked to appear in a cameo role.

Steve Forrest is survived by his wife of 65 years, and three children.

 

REMEMBERING THE RIORDANS

Biddy White-Lennon who played Maggie Riordan

(pictured in 2011)

The power of its simplicity, humour and light drama made ‘The Riordans’, Ireland’s favourite family, and a ratings success on RTE television for 15 years throughout the 60’s and 70’s.

The trials and tribulations of Tom (the late John Cowley) and Mary Riordan (the late Moira Deady) and their sometimes troublesome offspring, Benjy, (Tom Hickey) Michael (the late Chris O’Neill) and Jude (Rebecca Wilkinson) in the fictitious village of Leestown, Co. Kilkenny, was an important part of the week for the Irish at a time when there was only one television station in the land.  At this time, most people weren’t recieving the British stations and the only satellites people talked about was in NASA. 

For 30 minutes each week the nation could switch on to Leestown and switch off their problems of the Oil Crisis of the 70’s and the idea of money belts being tightened.

Rural Ireland could always identify with the family being the centre of a community or a business or farm and that is exactly what the theme of ‘The Riordans’  was, a family living and working on their farm in rural Ireland. 

Streets emptied and no one uttered a sound when all black and white sets in the country were turned on to watch ‘The Riordans’.  Punters in pubs stayed silent for that half-hour because they would be glued to the set to see characters, very like themselves, drinking and socialising in Mickey Mac’s pub.

The friends and neighbours of the Riordan family in Leestown added an extra dimension to the drama.

Viewers in pubs, homes, hospitals and community centres sat together and watched the courtship of Benjy and Maggie (played by Biddy White Lennon) and listened to the hilarious tales told by the village gossip Minnie Brennan (played brilliantly by the late Annie D’Alton).

Minnie once uttered a description of  the youngest Riordan son, Michael, to express the fact that he wasn’t  overweight. “There is more skin on a tinker’s stick after a fight than there is on Michael Riordan!”

Humour was a big part of ‘The Riordans’ drama series just like it is with today’s UK soap opera, ‘Coronation Street’. 

Television in Ireland was new when ‘The Riordans’ began in the mid-sixties and there wasn’t any other regular rural Ireland drama series on the air.

The good and bad of farming life was part of the theme of the series.  Tom Riordan could be identified with by many middle-aged farmers trying to make a living on a small farm, while his wife Mary became a figure that was identified by farmers wives throughout the length and breath of Ireland.

The theme of love was as central to ‘The Riordans’ as was farming.  Benjy and Maggie’s courtship lasted a number of years letting people wonder if marriage would  ever happen.  Eamon Maher, played by Joe Pilkington, was a settled traveller who lived with his sister Delia and his uncle, Francey in Leestown.  Eamon was one of the programmes favourite characters and his many love affairs were discussed throughout Ireland.

Fr. Sheehy (played by the late Tony Doyle) was always on hand to give a sympathetic ear to his Leestown parishoners and he played the part to perfection. However Ireland’s favourite priest hit controversy (at a time when Irish priests were not hitting controversy) in the early 1970’s when he sympathised with Maggie when she told him she was on the pill.  Letters of protest poured into RTE, but the much loved Fr. Sheehy and Maggie weathered the storm and remained viewers favourites.

Benjy and Maggie’s wedding was one of the most  popular episodes of the series, but  some of the sadder episodes also got high viewing figures, like in 1978, when Young Brendan was bit by a dog and rushed to hospital suffering from a suspected rabies infection. Viewers were on the edge of their seats watching the child’s trauma and were relieved to see him get the all clear.

Tom Hickey left the series at the end of the fourteenth season and his portrayal of Benjy Riordan was sadly missed.  Benjy was written out by leaving the farm and going away to be a lay missionary in the Third World.

A new man was needed to help with the farm work, so Pat Barry, a sheep farmer from the Wicklow mountains came to live with the Riordan family.  Gabriel Byrne, in his first screen role, played Pat. 

Another big change hit ‘The Riordans’ in its fifteenth season when it was screened for one hour every week.  However this was to be its final year and the last episode was screened in May 1979.

Irish viewers were disappointed at the loss of ‘The Riordans’ from their screens, so RTE responded by screening in January 1980 a six part follow-up series called ‘Bracken’.

‘Bracken’ was created by Wesley Burrowes who had also written for ‘The Riordans’. 

The new drama concerned Pat Barry returning to his Wicklow home to farm his late father’s land.  ‘Bracken’ starred Gabriel Byrne, Niall Toibin, Joe Lynch, Mick Lally and Hollywood veteran Dana Wynter. 

‘Bracken’ was a smash hit with Irish viewers and another six episodes were planned, but were not screened until January 1982.

It was realised there was a major gap in the RTE drama schedule as a result of ‘The

Riordans’ cancellation, so plans were put in place for a new rural drama.

Wesley Burrowes started to write a new series with the working title of ‘The Blow-Ins’, but it was changed to ‘Glenroe’, with Joe Lynch and Mick Lally reprising their ‘Bracken’ roles of Dinny and Miley Byrne.

John Cowley turned up in ‘Glenroe’ playing a judge and Moira Deady played the hilarious role of the travelling woman, Nellie Connors in several episodes.

 

 

 

 

 

Oblivion (15A)

The first five or so minutes of this sci-fi thriller would remind you of a 1960s tv series, where you get a ‘story so far’ delivered by a lead actor off camera.  That was a bad start for a modern movie yet the back-story does sound interesting.   However when you hear Cruise is in a movie, alongside Freeman, you think it can’t be too bad, and you stick with it.
Cruise plays Jack, one of the last technicians left on earth after decades of war with aliens.  He lives on a space station with his life partner, Victoria, played by Andrea Riseborough (star of tv series ‘Being Human’).  She is overlooking his work, and keeping him safe from the alien enemy, by placing help onside with him, whenever he goes on a repair job.  The plan is to prepare for them both to leave earth to go live on a new star.  However Jack is reluctant to leave and despite the devastation of war which has happened in America, it still doesn’t cloud his view of the planet as being his home.
He finds a crashed spaceship, with a beautiful passenger Julia, (played by Olga Kurylenko).  Olga was a Bond girl in the movie, ‘Quantum of Solace’ in 2008.  Julia reminds Jack of the many dreams which he has had, as long as he can remember, where she has appeared.  It makes him question the whole existence of his time on earth, and his life with Victoria.  Along the way he also meets a group of rebels, led by Morgan Freeman’s ‘Beech’.
Cruise does his best with the role, and although he is getting on, still manages to play the Die Hard type of hero with gusto.  Olga and Andrea were equally good in acting terms, and wouldn’t have disappointed their director, Joseph Kosinski.  Morgan Freeman is….well Morgan Freeman, and doesn’t disappoint.
The art-direction of ‘Oblivion’ is quite good, and the props of a post-apocalyptic New York will satisfy the viewer.  The lighting is also good, and portrays an earth that is open, bright, although full of mystery.   Twenty minutes less of the movie wouldn’t have hurt it though.
The action in the movie is a pre-requisite of a Cruise film.   However, a little more story and a little less action wouldn’t go astray, because as said earlier, the backstory, which is told at the beginning, did sound interesting.
On the whole, ‘Oblivion’ is good escapist fare, and worth a look